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Annihilation of a Planet III-bookcover

By: Antonion Borges

Annihilation of a Planet III

Pages: 200 Ratings:
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An arc of light across the sky and shots fired from a U.S. Navy Blue Angel F/A-18 supersonic hornet fail to collide; the light vanishes from the sky, and the light energy of the android Lawrence streaks to the earth and into the labs of C&L Automation, straight to the alien disc brought previously from Mars.

Dr. Paul Linsdale, unaware of Lawrence’s return, celebrates the birth of his son, Lawrence Love Linsdale, and goes to congress to request approval and funding for a project that will quell the dangerous supervolcano in Yellowstone National Park.

Congress gives the go-ahead, and for nine years the project proceeds. A ring of 1,000 manmade geysers operate to help Old Faithful bring an end to the supervolcano.

Dr. Linsdale’s son, visiting C&L and exploring on his own, happens upon the alien disk. There he is enlisted by his namesake, Lawrence, to help him flee the planet he has saved twice. Now he seeks only to live in peace, far beyond the Milky Way, with Lilah, the elder care robot who loves him.

Is a nine-year-old boy up to the task? Can Lawrence finally succeed in his quest for true love? More important for Earth, can the Yellowstone be saved?

Antonion Borges leads us from the historical roots of mankind to the far reaches of an unknown time and space. Interspersed with the quests of Linsdale and Lawrence, TV news broadcasts offer a glimpse into life in 2262.

Antonion Borges’s far-ranging curiosity and inventiveness belie his formal training. Having graduated from the Massachusetts Eye and Ear Infirmary Department of Harvard Medical School as well as in Radio and Television Broadcasting from the Sawyer School, he works in the field of ophthalmology and pathology. His research into the supervolcano at Yellowstone National Park and his ideas about how to resolve the problem are particularly perceptive, and they inform this novel in a way that is educational and entertaining. His books testify to the truth that he is a modern version of a Renaissance man.

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