Book Description
The Promised End explores how the endings of Shakespeare’s tragedies work – how, in effect, they resist conventional closure. It looks back from the endings of five plays – Romeo and Juliet, Hamlet, Othello, Macbeth, and King Lear – to explore how their structures of action, imagery and the interaction of different genres – comedy, tragedy and romance – bring them to conclusions that are both inevitable and yet strangely incongruous, beyond explanation and moral understanding, almost too terrible to bear.
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